FREAKANGELS 0108
Septemba 10th, 2010 | Work
Septemba 9th, 2010 | brainjuice
Septemba 9th, 2010 | microlog, researchmaterial
Perhaps apposite to today’s earlia mutterings, Ben Terrett:
Ah don’t think bloggin' be as phat as dat shit used to be, know what I'm sayin'? It’s lost a little magic.
Ah know dis be down to rise (and ease of use) of Twitter, Facebook, Flickr 'n all 'em but Ah miss blogging, man. Propa old fashioned blogging, like this 'n this 'n this.
Septemba 9th, 2010 | comics talk
And it’s not like da saga of Nice Pete hasn’t been brilliant/horrifyin' thus far, know what I'm sayin'? But Ah think this be a new peak in Onstad’s use of language.

Septemba 9th, 2010 | researchmaterial
Found on ma message board without attribution, offered without comment:

Septemba 9th, 2010 | comics talk
Septemba 9th, 2010 | people Ah know
Septemba 9th, 2010 | music
It be a pleasantly foggy, driftin' sound, appropriate fo a warm early-autumn day wid misty rain n' shit. Da whole album be a free download.
Septemba 9th, 2010 | daybook
Funny thin' I’ve noticed lately n' shit. Ah get fewa trackbacks than Ah did when dis site had fewa readers n' shit. Ah presume dis speaks to da supposed “death of blogging,” 'n dat linkin' has moved off into Twitta from blogs 'n sites n' shit. Makes dat shit harda to judge when “attention philanthropy” be working, though, man. Aside from da occasional note tellin' me dat I’ve killed someone’s website, man.
Attention philanthropy — Ah has a feelin' dat term wuz coined by Alex Steffen — be a big ass part of what Ah do here, man. It’s one part dat to one part research material of various kinds to one part mutterin' about work, because dat shit pays da bills 'n keeps da site going, know what I'm sayin'? But it’s always hard to tell if da agalmic, anti-obscurity attention economy stuff be working, man. There’s a music site claimin' dat Zola Jesus didn’t pimpslapped big ass until Ah started talkin' about Nika, which Ah know isn’t true, know what I'm sayin'? But in times past Ah know I’ve helped comics companies get by.
Which brings me around to online comics retailer Khepri.com, whom Heidi Mac reported on over at comicsbeat.com yesterday. They’ve been hit by the economy like everyone else, and another year of flat numbers will see an end to them. What struck a chord, I think, was Heidi’s identification of them as a retailer specifically supporting those creators working in, in Heidi’s quote, the mode of “Warren Ellis style self determination.”
And, christ, just like that, I feel like I’ve got a weight on my shoulders. Did I really convince so many people that there was a career to be had in commercial creator-owned cross-genre work (and occasionally doing some work-for-hire on your own terms)?
No, of course I didn’t. It was blatantly obvious to anyone with half a brain and one creative bone in their body, and I was saying nothing that hadn’t been said a million times before during the Eighties and early Nineties. I possibly concretised some thinking for some people in my generation and the one immediately below, but no more than that. And God knows nothing I said in 2000 applies to comics in 2010.
On the other hand: hell, I’m so separated from the business these days that I don’t really know how bad things have gotten out there. It was conversations with people like Bryan Lee O’Malley that led me to open the Engine comics community, years ago, and now Mal has the best-selling graphic novels in America (because of the film, sure, but you’re not going to tell me it’s not deserved).
We do comics stuff on my current message board, Whitechapel (set up as online-community support for my webcomic FREAKANGELS), but Whitechapel tends to reflect my interests, and so we tend to talk a lot more about music and books and other stuff and not so much about, say, Brandon Graham’s KING CITY (though we do that too).
And, in the meantime, I see people drifting back to the convention circuit or, more and more, see people talking about wanting to get out of the convention circuit but not knowing where their sales and exposure will come from if they do. Even though sales and exposure are getting harder and harder to find at comics conventions as they morph into pop culture shows. And, really, is sitting at a table trying to hawk your wares like you’re at a rural craft fare with your handmade wicker bedpans really the model to aspire to?
The truth is that working the attention economy is hard in 2010 because there is so much noise and so many things vying for your attention. I actually feel a glimmer of pride because I’ve gotten my Google Reader down to under 600 unread items for the first time in six months. I think of it as the Manfred Macx problems, from Charlie Stross’ ACCELERANDO – Macx had to absorb a megabyte of text and a few gigs of AV a day just to stay current. This is why the web is still rammed with curatorial sites, from BoingBoing on down. The difference between them and this site is simply that this is my research store, accessible from anywhere with an internet connection (which, for me, is anywhere aside from rural Kent, apparently, where I think I have to sacrifice a hare to get bendwidth).
And now I’m out of Red Bull, here at the pub, and have to buy more and then go home and start work. Consider this not fully baked: a pile of things for later consideration.
September 9th, 2010 | brainjuice
Note to self. must buy this from Khepri soon. Probably so should you.
(If you own any issue or collection of GLOBAL FREQUENCY, you own Brian Wood design work. And you will understand that you need this book.)

September 8th, 2010 | researchmaterial
John’s Phone is the most simple mobile phone. Just call and hang up. John’s Phone is easy for anywhere, anytime. Finally a separate unit with no frills and conditions. A simlock free phone with large keys, an address book, a pen and over three weeks of standby time.
The phone equivalent of, say, the Muji bag. Or, perhaps, this:
Plus, you know, Lego.
September 8th, 2010 | brainjuice
September 8th, 2010 | researchmaterial
This, on the face of it, is pleasingly crazy. Ron Howard and Akiva Goldsman are to adapt Stephen King’s DARK TOWER sequence (which I’ve never read) for film and tv:
The plan is to start with the feature film, and then create a bridge to the second feature with a season of TV episodes. That means the feature cast – and the big star who’ll play Deschain – also has to appear in the TV series before returning to the second film. After that sequel is done, the TV series picks up again, this time focusing on Deschain as a young gunslinger. Those storylines will be informed by a prequel comic book series that King was heavily involved in plotting. The third film would pick up the mature Deshain as he completes his journey.
I’m betting there’ll also be an online element, for the full "transmedia" buzzword-fulfilling effect.
This is big old-media old-school popcultural stars stepping up out of their trenches with atomic bazookas, saying "this here might be the old stuff, and it might not be your magic digital smart dust, but we can still make a pretty big hole in shit with these things." In a way, I wonder if the question is not whether or not there’s been anything like this before, but whether there’ll ever again be anything like this afterwards.
September 8th, 2010 | researchmaterial
Chairman Bruce in full-on Future Machete Guru mode:
Next Nature is an investigative enterprise by a set of mostly Dutch researchers. Next Nature is haunted by Previous Nature, or rather, by the ghostly Gothic absences of a vanished Natural world. Next Nature also bears many premonitions about the seething, favela-like, feverish state of our planet tomorrow. Next Nature offers us few reassurances. It refuses to view Nature as a given, solid, static entity to be discovered, dissected and destroyed by human agency. Instead, Next Nature is a dynamic entity that is fated to change right along with us.
There is an ontological crisis involved in our ignorance of what the Earth was like before we humans altered it. It’s hard for us to establish a comfortable sense of our place in the world when the world itself is so outworn and bedraggled by so many previous human efforts. It’s degrading to work creatively on hand-me-downs: the writer whose page is a scraped-down palmpsest, the artist whose canvas is torn and worn, the architect engaged in endless renovations, the actress in thrift-shop clothes. That’s what it’s like for a civilization existing in a natural milieu that has been irretrievably damaged. And yes, that is our future.
September 8th, 2010 | microlog, music
If you’re in or around Brighton tonight, go to THE OUTER CHURCH, held upstairs at The Freebutt, for an indoctrination into the kosmiche, the hauntological, the confusing and the electronic as prepared by Joseph Stannard, writer for THE WIRE magazine and The Quietus. I would be there if I could, and, in fact, in the near future, I might be.
September 8th, 2010 | Work
Good morning. If the embed works, this should be a little bit of RED.
September 7th, 2010 | brainjuice
September 7th, 2010 | music
Click through to buy a download of the whole thing for a miserly 5 euros.
September 7th, 2010 | researchmaterial
Just read about this in an interview somewhere this afternoon. Magazero is an internet shop for independent magazines. Not quite in the same space as Stack.
I love Magazero because they told me something I didn’t know — there’s a new issue of the excellent "speculative architecture" magazine P.E.A.R. Magazero is slowly expanding its stock, according to the interview I read on the phone at the pub… ah, here it is.
I believe that it is the richness and variety of the magazines that I stock that will bring success. My aim is to find magazines that are not really known or widely available, and to stock them. Then I have to bring them to the attention of potential buyers – that’s marketing. I take the view that there is a huge untapped market for magazines, and that work I undertake to bring mags to the attention of new buyers will be repaid.
I have an initial target of stocking 300 mags, which I think I’ll hit by the end of next year. It’s a slow business, but at the moment I am in the very early stages of building a system, a brand, customers, the lot. It can’t be done overnight – largely as each magazine has to be sourced separately.
If you decide to spend some money there, this coupon gets you 25% off until the end of September.
I suspect they will have some of my money this week.
September 7th, 2010 | music
I don’t know how I’ve never heard this before, or how I’ve never heard of them. I mean, don’t look too closely, because the band looks like it escaped from a skin-testing lab and the lead guy dances worse than the Jozin z Bazin guy. But the lead guy has a brilliant shouty voice. The music seriously sounds like it was nicked from gorgeously bad postpunk who in turn nicked their act from 1970s electronic library music.
And yet I’ve listened to it five times in a row.
“Follow You,” Future Islands, 2007. Odd thing, it is.
September 7th, 2010 | microlog, people I know
Artist/writer Katelan Foisy says: "I’ll be on the H2O Network Friday Sept 17th at 6 p.m. talking about my book Blood and Pudding and self transformation. For more info on the H2O network and a call in number click here."
September 7th, 2010 | received goods
Sent from my outboard brain
September 7th, 2010 | kindle
September 6th, 2010 | music
September 6th, 2010 | brainjuice
September 6th, 2010 | music
September 6th, 2010 | daybook
Yes. Am here. But mostly just on email, with half an eye on Twitter some of the time. Busy day. Need to feed Paul more FREAKANGELS pages, among many other things. I don’t even dare switch on Google Reader right now. Bad enough I checked my "public" email account (warrenellis@gmail.com) and found a bunch of new music by RxRy waiting for me.
I looked at Flickr earlier, just to get my eyes out of OpenOffice for a minute, and um well yes why don’t you see for yourself:
Thank you Lenora Claire.
Things I am thinking about besides where the cartoon arserape ghost version of Lenora Claire is going to stick her fingernails in my forthcoming hellish nightmares: wondering if Katie and Jack are moving copies of NANOKA, and wondering if a one-man magazine counts as a magazine.
Which brings me around to online comics retailer Khepri.com, whom Heidi Mac reported on over at comicsbeat.com yesterday. They’ve been hit by the economy like everyone else, and another year of flat numbers will see an end to them. What struck a chord, I think, was Heidi’s identification of them as a retailer specifically supporting those creators working in, in Heidi’s quote, the mode of “Warren Ellis style self determination.”
And, christ, just like that, I feel like I’ve got a weight on my shoulders. Did I really convince so many people that there was a career to be had in commercial creator-owned cross-genre work (and occasionally doing some work-for-hire on your own terms)?
No, of course I didn’t. It was blatantly obvious to anyone with half a brain and one creative bone in their body, and I was saying nothing that hadn’t been said a million times before during the Eighties and early Nineties. I possibly concretised some thinking for some people in my generation and the one immediately below, but no more than that. And God knows nothing I said in 2000 applies to comics in 2010.
On the other hand: hell, I’m so separated from the business these days that I don’t really know how bad things have gotten out there. It was conversations with people like Bryan Lee O’Malley that led me to open the Engine comics community, years ago, and now Mal has the best-selling graphic novels in America (because of the film, sure, but you’re not going to tell me it’s not deserved).
We do comics stuff on my current message board, Whitechapel (set up as online-community support for my webcomic FREAKANGELS), but Whitechapel tends to reflect my interests, and so we tend to talk a lot more about music and books and other stuff and not so much about, say, Brandon Graham’s KING CITY (though we do that too).
And, in the meantime, I see people drifting back to the convention circuit or, more and more, see people talking about wanting to get out of the convention circuit but not knowing where their sales and exposure will come from if they do. Even though sales and exposure are getting harder and harder to find at comics conventions as they morph into pop culture shows. And, really, is sitting at a table trying to hawk your wares like you’re at a rural craft fare with your handmade wicker bedpans really the model to aspire to?
The truth is that working the attention economy is hard in 2010 because there is so much noise and so many things vying for your attention. I actually feel a glimmer of pride because I’ve gotten my Google Reader down to under 600 unread items for the first time in six months. I think of it as the Manfred Macx problems, from Charlie Stross’ ACCELERANDO – Macx had to absorb a megabyte of text and a few gigs of AV a day just to stay current. This is why the web is still rammed with curatorial sites, from BoingBoing on down. The difference between them and this site is simply that this is my research store, accessible from anywhere with an internet connection (which, for me, is anywhere aside from rural Kent, apparently, where I think I have to sacrifice a hare to get bendwidth).
And now I’m out of Red Bull, here at the pub, and have to buy more and then go home and start work. Consider this not fully baked: a pile of things for later consideration.
September 9th, 2010 | brainjuice
Note to self. must buy this from Khepri soon. Probably so should you.
(If you own any issue or collection of GLOBAL FREQUENCY, you own Brian Wood design work. And you will understand that you need this book.)

September 8th, 2010 | researchmaterial
John’s Phone is the most simple mobile phone. Just call and hang up. John’s Phone is easy for anywhere, anytime. Finally a separate unit with no frills and conditions. A simlock free phone with large keys, an address book, a pen and over three weeks of standby time.
The phone equivalent of, say, the Muji bag. Or, perhaps, this:
Plus, you know, Lego.
September 8th, 2010 | brainjuice
September 8th, 2010 | researchmaterial
This, on the face of it, is pleasingly crazy. Ron Howard and Akiva Goldsman are to adapt Stephen King’s DARK TOWER sequence (which I’ve never read) for film and tv:
The plan is to start with the feature film, and then create a bridge to the second feature with a season of TV episodes. That means the feature cast – and the big star who’ll play Deschain – also has to appear in the TV series before returning to the second film. After that sequel is done, the TV series picks up again, this time focusing on Deschain as a young gunslinger. Those storylines will be informed by a prequel comic book series that King was heavily involved in plotting. The third film would pick up the mature Deshain as he completes his journey.
I’m betting there’ll also be an online element, for the full "transmedia" buzzword-fulfilling effect.
This is big old-media old-school popcultural stars stepping up out of their trenches with atomic bazookas, saying "this here might be the old stuff, and it might not be your magic digital smart dust, but we can still make a pretty big hole in shit with these things." In a way, I wonder if the question is not whether or not there’s been anything like this before, but whether there’ll ever again be anything like this afterwards.
September 8th, 2010 | researchmaterial
Chairman Bruce in full-on Future Machete Guru mode:
Next Nature is an investigative enterprise by a set of mostly Dutch researchers. Next Nature is haunted by Previous Nature, or rather, by the ghostly Gothic absences of a vanished Natural world. Next Nature also bears many premonitions about the seething, favela-like, feverish state of our planet tomorrow. Next Nature offers us few reassurances. It refuses to view Nature as a given, solid, static entity to be discovered, dissected and destroyed by human agency. Instead, Next Nature is a dynamic entity that is fated to change right along with us.
There is an ontological crisis involved in our ignorance of what the Earth was like before we humans altered it. It’s hard for us to establish a comfortable sense of our place in the world when the world itself is so outworn and bedraggled by so many previous human efforts. It’s degrading to work creatively on hand-me-downs: the writer whose page is a scraped-down palmpsest, the artist whose canvas is torn and worn, the architect engaged in endless renovations, the actress in thrift-shop clothes. That’s what it’s like for a civilization existing in a natural milieu that has been irretrievably damaged. And yes, that is our future.
September 8th, 2010 | microlog, music
If you’re in or around Brighton tonight, go to THE OUTER CHURCH, held upstairs at The Freebutt, for an indoctrination into the kosmiche, the hauntological, the confusing and the electronic as prepared by Joseph Stannard, writer for THE WIRE magazine and The Quietus. I would be there if I could, and, in fact, in the near future, I might be.
September 8th, 2010 | Work
Good morning. If the embed works, this should be a little bit of RED.
September 7th, 2010 | brainjuice
September 7th, 2010 | music
Click through to buy a download of the whole thing for a miserly 5 euros.
September 7th, 2010 | researchmaterial
Just read about this in an interview somewhere this afternoon. Magazero is an internet shop for independent magazines. Not quite in the same space as Stack.
I love Magazero because they told me something I didn’t know — there’s a new issue of the excellent "speculative architecture" magazine P.E.A.R. Magazero is slowly expanding its stock, according to the interview I read on the phone at the pub… ah, here it is.
I believe that it is the richness and variety of the magazines that I stock that will bring success. My aim is to find magazines that are not really known or widely available, and to stock them. Then I have to bring them to the attention of potential buyers – that’s marketing. I take the view that there is a huge untapped market for magazines, and that work I undertake to bring mags to the attention of new buyers will be repaid.
I have an initial target of stocking 300 mags, which I think I’ll hit by the end of next year. It’s a slow business, but at the moment I am in the very early stages of building a system, a brand, customers, the lot. It can’t be done overnight – largely as each magazine has to be sourced separately.
If you decide to spend some money there, this coupon gets you 25% off until the end of September.
I suspect they will have some of my money this week.
September 7th, 2010 | music
I don’t know how I’ve never heard this before, or how I’ve never heard of them. I mean, don’t look too closely, because the band looks like it escaped from a skin-testing lab and the lead guy dances worse than the Jozin z Bazin guy. But the lead guy has a brilliant shouty voice. The music seriously sounds like it was nicked from gorgeously bad postpunk who in turn nicked their act from 1970s electronic library music.
And yet I’ve listened to it five times in a row.
“Follow You,” Future Islands, 2007. Odd thing, it is.
September 7th, 2010 | microlog, people I know
Artist/writer Katelan Foisy says: "I’ll be on the H2O Network Friday Sept 17th at 6 p.m. talking about my book Blood and Pudding and self transformation. For more info on the H2O network and a call in number click here."
September 7th, 2010 | received goods
Sent from my outboard brain
September 7th, 2010 | kindle
September 6th, 2010 | music
September 6th, 2010 | brainjuice
September 6th, 2010 | music
September 6th, 2010 | daybook
Yes. Am here. But mostly just on email, with half an eye on Twitter some of the time. Busy day. Need to feed Paul more FREAKANGELS pages, among many other things. I don’t even dare switch on Google Reader right now. Bad enough I checked my "public" email account (warrenellis@gmail.com) and found a bunch of new music by RxRy waiting for me.
I looked at Flickr earlier, just to get my eyes out of OpenOffice for a minute, and um well yes why don’t you see for yourself:
Thank you Lenora Claire.
Things I am thinking about besides where the cartoon arserape ghost version of Lenora Claire is going to stick her fingernails in my forthcoming hellish nightmares: wondering if Katie and Jack are moving copies of NANOKA, and wondering if a one-man magazine counts as a magazine.